导演：十三幺,内森·弗兰库斯基
地区：泰国
类型：偶像片
语言：德语
年份：2020
更新：2024-05-18 15:06:31
不忍看曲鑫现状不仅因为悲哀的贫穷还因为丧失了尊严的男人
让我一个骨科十级爱好者拳头紧握鬼火旺我问天问大地问自己为什么对国产剧还有幻想呢宋威龙的角色是我目前阅片中最令人不齿的男一号恶心
一度因为悬疑+阿加莎而不敢看 阿加莎的文本本身足够精彩电影呈现也很精彩 对英国法庭或陪审团制度的法庭呈现比较完整算是一个小科普 我猜到了第一层反转女主为了救男主而故意在法庭提供不利于男主的证词后面几层反转实在没想到最后小三的出现曲鑫现状简直震惊男主才是“演员”从头演到尾生活中无时无刻不在演戏 影片整体以对白为主容易犯困也可能是我今天不舒服期间睡着两次…
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
黑泽明又一次改编了莎士比亚的作品不过比之前的蜘蛛巢城强得多刚开始节奏有点慢曲鑫现状甚至感觉有点闷不过后面非常精彩场面很宏大且有层次感尤其是结尾三方交战使我想起了游戏全面战争一个人如果得到了太多的权利就会变得贪多无厌我想不管是莎翁还是黑泽说的都是这个道理吧
